I woke up this morning thinking perhaps the wife in this little allegory from Fragment’s ancient history was right.
When we expose our greatest hopes and precious things to strangers, we may be thought a fool. But the ordinary treasures we share may touch lives in ways we cannot imagine. This is the tale of one hopeful fool.
He prepared them lovingly, his precious mementos and carefully pressed flowers. He arranged them prominently on simple benches near the road. Just beyond, by the barn, a rough oak plank set across two tree stumps formed a crude table to display all manner of clippings and cards that flapped in the breeze-some brittle and yellow with age, others crisp and white from yesterday’s journal.
Someone might care to turn the thin pages and read the forgotten stories, said the farmer to himself. Up around the bend near the low-water bridge, photographs were pinned haphazardly on the dark trunks of the maple trees-dog-eared, roughly framed or not at all; some new, most sepia toned from the passage of time, worn with a patina of love and memory. Trinkets and curios, found things and very private bric-a-brac lined the dirt road along a quarter mile of this seldom traveled path in a remote part of a sparsely peopled region of the rural land of Erehwon.
“Who will come?” she asked derisively. “You are a foolish old man” said the farmer’s wife, “and if anyone comes, they will think you mad”. read more…