Writer's Writ
Well I am at about the midpoint of the Barnes and Noble free class, "Thinking Like Your Editor". It is well suited to someone with a non-fiction book idea (perhaps more so for those that start with a premise or thesis and proceed to answer their questions--about the Kennedy assassination or a how-to book, not so geared toward autobiography, memoir or nature-related topics at least from the interest and experience of the text). It equips the writer to produce the full "proposal package" and find an agent. I'm not ready to go that route yet, so this info is for possible future reference, should I have any drive left after exhausting my short list of publishers who don't require an agent.
Nor have the ones I've looked at wanted a proposal--at least not by that name. They ask for a "cover letter and X pages of your manuscript". In the second go-round, I've expanded both the length (to two full pages....the max) and the scope of readership so that perhaps publisher #2 will see a broader audience and greater earning potential than the first publisher who read Cover Letter #1 could identify.
I know you're not supposed to send manuscripts to "departments" but I cannot find names of editors at the intended publisher, so the cover is to "members of the Editorial Department". Phooey. As I googled for editors' names, I did find Gerard Jones' Everyone Who is Anyone in publishing. What a great resource, and I especially enjoy how he has posted his in-your-face correspondence with agents and editors in with the agent's email addresses. Wish there was some info re the kinds of books these agents represent.
So. Since Fragments readers have inspired the vignettes in the intended "book", I might as well bring you along in the process. For both of you who are interested, I've posted Cover Letter #2 in the "Read More" section. I'm open for editing and suggestions on the letter since I'm probably going to wait for the final word on the Parkway job before I send it off. The letter will give you a better idea of where I think I'm going with this dog-and-pony show.
Update: This is a more recent version than that posted Monday Morning. Current time, 6:00 Monday evening. Thanks for suggestions. Keep'em coming!
Editorial Department
XYZ Books of Erewhon
Erewhon NT, 20000
Dear Editors:
My wife and I march to the sound of a drummer that our boomer, post-child-rearing cohorts cannot hear. Our friends saw in their newly-empty nests the freedom to travel widely and return home to familiar and comfortable suburban neighborhoods. We set our hopes on finding an imagined home place in very rural Virginia where the living wasn’t necessarily easy. We cared less about seeing the world than finding home, finally, in our own forest and fields. And we were willing to make sacrifices to find it.
Our gamble began with good fortune when I found a job as the only physical therapist in the tiny town of Floyd, in Floyd County, Virginia—a county so unhurried that to this day it has but a single traffic light. I pitched camp here alone a year ahead of my wife, living in the clouds in a small cabin off the Blue Ridge Parkway (described in part in “Eagle Wings” in the writing sample). Two years later we found the place we had dreamed of: eighty acres of mountain land and a redeemable century old farmhouse with his-and-hers outhouses. But as some things fell together in our quest for bucolic bliss, others fell apart. I lost my job in physical therapy, and tossed the profession in after it.
Suddenly I was waking up every day to the freedom of empty time here in the wilderness without purpose as my wife left in the dark to win the bread. Writing became a way of making sense of this new geography of rural midlife crisis. And before long, it seemed I was leading field trips again, describing to my web-log readers what day to day life looks and feels like from our quiet creek valley. Our home on Goose Creek is a destination toward which I had been moving for almost thirty years. The book that describes getting here—but especially being here—is called Fragments: Field Notes from an Appalachian Year.
The overall length of the nature-memoir will consist of some fifty-five thousand words. The core of the book (which is completed) contains approximately eighty descriptive and contemplative vignettes (averaging around five hundred words each) that carry the reader through the seasons, starting in summer when my uncertain adventure began. The introduction and threads of narrative between sections will flesh out the larger story to bring the reader along as we move through new terrain during this surprise sabbatical at home in the Blue Ridge.
The book shares some elements with several related works. Comparable seasonally organized natural histories and personal narratives include A Country Year, Sue Hubbell’s seasonal autobiography which gives an account of her solitary life alone among her beehives, exalting everyday wonders and the economies of nature to a place of high praise. Bernd Heinrich spins descriptive vignettes from his Year in the Maine Woods living in harmony with nature when “the subtle matters and the spectacular distracts.” In Green Thoughts: A Writer in the Garden, Eleanor Perenyi uses garden stories to draw lessons for daily living. Annie Dillard sees the ordinary with new eyes in Pilgrim at Tinker Creek. I count myself fortunate to have seen her “tree with the lights in it” in my own wanderings and regard nature as Dillard does with a mystical reverence and awe. Fragments: Field Notes shares with all these books the invitation for the reader to slow down and comprehend the extraordinary world we can know through all the senses fully engaged.
Ten of my essays have been accepted for broadcast on our local NPR affiliate in Roanoke, Virginia. One of my stories appeared in the national magazine, PetLife, and another is scheduled for inclusion in a future issue of the Birmingham Arts Journal. I am co-founder of the online Ecotone site where “people write about place”. My photojournal weblog, Fragments from Floyd (http://fragmentsfromfloyd.com) is visited each week by a thousand writers and readers who are representative of the potential buyers of the book that I offer. They come from urban places across the US and the world, curious to see what life is like in our Blue Ridge home place.
Fragments: Field Notes is an unpretentious and genuine testament of one man’s wonder of the world, and it is a world that readers already enjoy sharing. The book provides a variegated and pleasantly unpredictable mixture of topics and voices from day to day— from nostalgic narrative to self-mocking wry humor to highly sensory and evocative poetic prose. The scope of the non-fiction writing and the story that it tells will attract readers who enjoy the rich detail of country living/ It will also be of interest to those who are considering the risks and the pleasures of rural retirement in out-of-the-way places, and the southern Appalachians in particular. And it will represent hope to those living in the cities who long some day to break free of hurry and urban stresses that suck the tranquility and beauty from their days.
I am a veteran of twelve years of classroom and field experience as a biologist/naturalist/teacher, then as many years as a caregiver as physical therapist. My breadth of experience infuses the book with unique insights, humor and sensitivity. While I tend the farm and serve as domestic engineer and writer-in-residence, my wife works as a hospital pharmacist in nearby Blacksburg, Virginia. Our two grown children live in South Dakota and British Columbia, having fallen rather far from the tree.
The short writing sample included here captures only a brief glimpse of the book. Also included is a small sample from my collection of digital images depicting details from our little domain that may be used to enhance the visual appeal and authenticity of the book.
I would like XYZ Press to consider publishing this book. Please find a stamped, self-addressed mailer for returning the manuscript to me as well as an envelope for corresponding with me by regular mail. I look forward to hearing your response to the manuscript.
Sincerely,
Frederick B. First, Jr.
Comments
I'll have more to say -- picky, picky, picky -- later, but I would like to encourage you to make the phone calls that are so daunting! To an agent to ask what kind of books he represents. To a publishing house to ask which editor would be appropriate for your query. It IS done. *I* don't have the courage, but then I'm already on the downhill slide.
Posted by: travelertrish | February 23, 2004 7:51 AM
Fred, bravo for taking the time & courage to write this letter (and ultimately to send it). Already you've done more in HALF that B&N course than I did in the whole thing...
I read your letter quickly (due to my deadline, not your prose). My gut reaction (not necessarily right, just first impression) is that the letter "takes off" when you get to the paragraph that starts "The unmarked territory..." Up until this point, the imaginary Cynical Editor in my brain was thinking, "So you moved the country? So what? Why should YOU write this book rather than any of your neighbors?"
That paragraph where you talk about re-mapping your sense of self--and the way that HeresHome helped with that re-mapping--is where you really dive into the "deeper" issue of your book. Yes, I'm interested in hearing how you came to HeresHome, etc, but I'm REALLY interested in the bigger, deeper picture: how coming to terms with a place relates to coming to terms with your own identity, who you ARE vs. what you DO, etc.
I'm wondering, then, if there's a way to give this philosophical underpin--the Big Question at Stake in your narrative--more prominent play in the beginning of your letter?
Again, this is a first impression based on a quick initial skim. I really liked the later portions where you compare your project to Hubbell, etc, and I like your mention of your NPR & blogging experience, etc. I just think it would be good to make it clear earlier rather than later that you are exploring philosophical issues as much as simple descriptive ones.
(Anyone can describe the bird feeder outside their window. It takes a Dillard or Thoreau, though, to capture what that bird feeder MEANS. You're aiming to do the later, I think.)
Apologies for the rambling whatever; hope it's somewhat (?) helpful.
Posted by: Lorianne | February 23, 2004 10:21 AM
What an excellent introductory letter. I agree with Lorianne on the issue to focusing on the philosophical side earlier in the introduction. I also would try to find a way to highlight the humor and various voices used within the text. Your particular brand of humor (laced with knowledge) is very appealing, and even though I'm not sure how you would convey that, I would have like to seen it mentioned more prominently.
I'm sure I'll be back to read this again when I can slow down and absorb more of it, but my gut reaction was "well done" and "how about more about the lessons learned and the delicious humor" ... thanks for letting us take a peek.
Posted by: ntexas99 | February 23, 2004 10:49 AM
Lorianne had insightful comments on the letter. Fred, you were smart enough to listen to her. I really like the new, improved version. It sings your song better! Bravo!
Posted by: Cop Car | February 24, 2004 6:59 AM
Fred: you have the current edition of the Writer's Market?? I think that gives a short description of which agents specialize in which kinds of books...
Posted by: Pica | February 24, 2004 10:05 AM
Fred, is the cover letter supposed to be unusually long? It is a very long letter. In most situations, in an introductory or cover letter, one wants to be as concise as possible. Just a thought.
Posted by: Fran | February 24, 2004 12:44 PM