Writing the Last Chapter
Setting: Pathetic fallacy setting a pathetic stage, like today, when the northern band of tropical storm Bill spills somber, sodden low clouds and sheets of rain across pale monochrome fields of blue-green, and ghosts of fence posts and wet cattle disappear just beyond the nearest few.
Characters: You will write about only two. A man, and a dog. The man and dog are driving to town silent and joyless, along the same roads that just yesterday had made the man smile, smile because each bend offered familiarity and comfort and beauty. Today, he neither speaks, nor thinks, nor feels, but merely reacts to each curve and gust of wind and passing vehicle with it's faceless driver. He struggles between the need to keep his psychic shields up against what it is that he must do, and forcing himself to be there, to the end, for his closest companion of years.
The dog, listless, is energized by this unexpected trip. He knows he is going to 'puppy camp' since he only travels in the car when he's going to that place of exotic smells and pheromonic messages of canine familiarity and comfort and a kind of fellow-feeling he does not get from being with his humans, for all his love of them. For him, this is a good day, notwithstanding the terrible pain that is eased now only because of something his humans have been feeding him in a little fingerful of butter a few times daily for the past week. He doesn't understand all this, but it must be part of the Great Plan that he cannot fully know, only being four years old.
They arrive at their destination, and the dog tumbles awkwardly out of the back of the hatchback. He looks empty and frail, like an old man who has got off at the wrong bus stop and is unsettled, confused; and for some reason he is wearing the rumpled suit of a much larger and stronger man, seeming hollow, diminished, moving away as if in time he might simply disappear. But he is happy to be here now, in the rain, and busily scurries all about the vet office, reacquainting himself with the invisible presence of others of his kind, and he goes through the gate with the nice lady and disappears, forever.
Critical point: The man of steel feels nothing as he drives through the tropical storm mechanically. And yet, somehow it is easier now, having done this thing that begged to be ignored in the counterfeit hope that one day, miraculously, he would wake up, and this terrible thing would not be so, not be required of him. But now it is done, the decision has been made, right or wrong, and he is relieved, the lump subsides in his chest. He listens to the radio for solace, and sings loudly, as in a graveyard, with some old MoTown tunes that he never especially liked, but grasps at them now because they can be sung loud enough to drown out other voices. And this is helping to maintain the psychic numbness.
The next song begins its opening bars, and he is pleased to hear a familiar Harry Nillson tune that he can't quite name. And then the lyrics start. And then like a storm surge, the fog and rain are riven by anguished thunder inside that moving box on wet wheels; and his pretension ends, his stoney mask crumbles. He walks through the mist into an empty house and understands that loneliness is when there is no wagging tail waiting for a solitary aging man by himself on a day of driving gray rain.
Without You
Harry Nilsson
No, I can't forget this evening
Or your face as you were leaving
But I guess that's just the way the story goes
You always smile but in your eyes your sorrow shows
Yes, it shows
No, I can't forget tomorrow
When I think of all my sorrows
When I had you there but then I let you go
And now it's only fair that I should let you know
What you should know
I can't live if living is without you
I can't live, I can't give any more
Can't live if living is without you
I can't give, I can't give any more